|
November/December 2001
|
Roman Quicksilver
The World's Most Versatile Sounding
Guitar
|
| by Trent Salter |
This
months review is that of the Roman Quicksilver. Sent to me
by the man himself, Mr. Ed Roman of World Class Guitars.
Obviously derived out of the boutique pool of guitar builders, this
millennium style guitar incorporates basic proven concepts of luthiery
with a few unique and quite genius innovations. So as usual
I head to my studio (the vault), where my testing comrades of amps
and effects silently await my arrival. Of course and without doubt,
a six pack of tall boys, a frosty mug and some peppered beef jerky
prepare me for my two hour voyage into toneville. Here's the mojo!
FIRST LOOK
Out of the box and open up the case. I whole heartedly believe in
first impressions, even with guitars. Upon opening the case the
first thing that slaps me in the face is the stunning quilted maple
top. This particular model is dark emerald green. Combine this with
the classy look of gold hardware, the first impression is that of
class. Double cut classic body style, matching headstock, zebra
dual humbuckers, recessed gold Tele style volume, tone, and five
way pickup knobs, Tune-O-Matic bridge with stop bar tailpiece in
gold, LRS roller tuning machines (quite unique), rosewood neck,
with dot abalone fret markers topped off with a Pearloid truss rod
cover round out of the front of the Roman Quicksilver cosmetically.
THE WOODY
This particular model is Korina with a book matched quilted
maple top. Korina, as you all well know, is a very desirable wood
known for its resonant tone and unsurpassed beauty. A classy
touch to this guitar is a Pearloid control cavity cover, a small
thing yes, but no doubt contributes to its appearance.
FIRST
STRUM
Is it just me or is the first chord everyone seems to strike an
A? After tuning up just a bit and striking an A, D and E9, I immediately
notice how comfortable the neck feels. I'm more of a Les Paul type
of guy and this neck feels real good to me. Not too thin, and no
too fat, I guess that makes it just right. Medium jumbo frets which
are dressed properly, Mother of Pearl dot markers, and a rosewood
board, round out the features of the neck. This particular neck
is a bolt on but a set neck is no extra charge. A way cool feature
is that the neck has absolutely no heel, yielding great access to
higher registers. Grover Jackson is personally manufacturing this
neck exclusively for the Quicksilver models, no wonder it feels
so comfortable! This particular model was sent to me with LSR (Linear
String Rotation) tuners. A bit different then traditional style
tuners in both look and function.
This particular system allows for a 40:1 ratio and actually pulls
the string as opposed to winding. It's incredibly accurate and locks
the string firmly, so that intonation is more precise and the guitar
stays in tune better. A guitar that won't stay in tune is like drinking
warm beer, it just ain't happening! Anyway, the guitar feels solid,
balanced and rings out with confidence even unplugged, so lets...
PLUG THAT BAD BOY IN
As you all know, here is where it gets serious. As cosmetically
attractive as any guitar can be, (and this one is a beauty), to
me it's more about playability and tone. Down to the vault I go,
awaiting are my test amps which include a Mesa Boogie Dual Rectifier,
a Peavey 5150, a Marshall JCM 800 and my trusty ADA rack system,
consisting of a MPI Preamp and Micro tube 100 Tube Power
Amp. All the above are tested with a Marshall Silver Anniversary
Marshall Cab with stock 75 watt Celestion speakers. I test at moderate
volumes as to ensure sonic accuracy.
Using my rack system for it's variety of gain stages,
the very first thing I notice about the Quicksilver is that
this guitar has impeccable sustain. In the clean mode, the pickups
are loud and punchy with balanced harmonics and a great sonic range.
The Quicksilver seems to clean up well by simply attenuating the
volume pot - the guitar has a consistent response in both the bridge
and neck pickup settings. The neck pickup of course is a bit more
bluesy and more bottom end and the bridge pickup is also capable
of surprisingly clean tones even from a humbucker.
In the dirty channel, the Quicksilver kicks some
serious butt. The bridge pickup has a tight defined punchy low end,
the mids are right on but not overdone 'cuz a pickup with too much
midrange can sound harsh, sweet singing highs and oh, did I mention,
sustain from hell! The neck pickup is sweet and creamy with, did
I mention sustain from hell? I was then on a quest to determine
where and how all of this sustain comes from. The pickups are of
a nondisclosure origin - I can now see or should I say "hear"
why! With further investigation I find that a unique mounting system
is used in the Quicksilver. The front pickup is mounted directly
into the neck
and the bridge pickup is actually hard mounted into the center section
of the Archtop. In theory, and I agree that the more parts that
are in direct firm contact with the wood the more the guitar will
resonate and hence enhance sustain. A Tune-O-Matic Tone Pros bridge
with stop bar compliment this theory well. The Tone Pros Tune-O-Matic
is a splendid choice for precise intonation. No doubt that the Korina
body adds to this bad boy's rich and resonant tone. This particular
model has a five way rotary
switch for pickup selection (similar to PRS Customs) and splitting
of pickups. From Tele to Les Paul it's all there, this guitar sports
versatility and a tone capable of providing adequate tones
for just about any style of music you may play.
FINAL SCOOP
The Quicksilver offers tone, beauty, options, unique features, rock
solid construction and quality parts that guitar players have not
only come to appreciate, but expect. In the current boutique pool
of guitar choices, one has to weigh every feature and benefit and
of course the investment. With a starting price of $1395 and so
many options available you can literally build a custom shop guitar
at the price of a mass produced model. The Roman Quicksilver needs
to be seen and played to be fully appreciated, this guitar is a
serious contender for the "Best Value" award of 2001.
OPTIONS
* 28 choices of body woods and various combinations.
* Ebony fretboards and 6 other choices.
* Choice of any pickup configuration available.
* Choice of any neck inlay work.
* Choice of 8 different tremolos.
* Choice of over 100 colors.
* Custom graphics available.
* Midi available and much, much more...
INFORMATION
Ed Roman World Class Guitars
155 Shortwoods Road
New Fairfield, CT 06812
203-746-4995
www.edromanguitars.com
|