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February/March 2004
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| by Trent Salter |
This month's product review is submitted to Musicians Hotline by
Pritchard Amplification of Berkeley Springs, WV. This things gotta
be cool if it comes from West Virginia! Eric Pritchard is the master
designer of their new solid-state combos that are really starting
to make some noise in the boutique amp community. This particular
model is the "Sword of Satori" model, now that's an interesting
name. This bad boy pumps out 90 watts through a custom 4 x 10 Eminence
loaded cab, so it's time to raise the Sword of Satori and start
slicin up the tone pie.
Retro Look...
The Pritchard line of amplifiers sports a unique retro look that
will be certain to satisfy vintage lovers anywhere. With its eye
catching Hunter Green custom color tolex covering and cool wicker
grill, this amp looks hip enough to not look outdated either. The
cabinet is trimmed in gold rope bead, even gold screws are used
on the front of the cabinet and topped off with the gold Pritchard
Amps logo in the top left hand corner. Classic black corner covers
on all eight corners, black rubber handle on top of the cab is also
where the top mounted control panel is located. Black plastic handles
are also located on the sides of the cab for transport. The Sword
of Satori is a Tunnel back cabinet utilizing (4) 10" Eminence
Legend Speakers. The Pritchard's cool retro look would be as comfortable
on your front porch as it would be as part of your backline.
Features...
The Pritchard "Sword of Satori" for all intents and purposes
is a two-channel amp. However, there are some very impressive features
that significantly widen the options of tone that you pullout of
this pup. Channel I is a variable boost channel and sports controls
for input level, volume, voice, boost, bass, mid, treble, reverb
and watts. Channel II is a fixed boost channel and also utilizes
a common input control, volume, voice, and bass, mid and treble.
The front panel also incorporates a global boost section that also
sports a cool noise gate indicator, crunch and parametric boost/cut
control. Although there certainly seems to an abundant selection
of knobs to turn and buttons to
push, this amp really is pretty straightforward and user friendly.
A couple of very unique features on the front panel that are most
certainly worthy of further explanation. First being the "voice"
control. Each channel features a six-position rotary style knob
for voice. Each position is labeled with a single letter to represent
changes in the tonal circuitry. Your voice selections are A (airy),
S (smooth), F (flat), M (moderately bright), V (very bright), L
(lead), B (bass boost) and P (bass guitar tone). A "watts"
control for dialing in output wattage from 60 watts undistorted,
to a max of 180 watts of peak distorted power. An "input"
sensitivity control for creating a boosted input signal. The rear
panel is full of the bells and whistles as well, including a main
power switch, speaker jacks, which are selectable (gig & practicing),
effects loop (send & retain), footswitch jack, equalized direct,
amp direct and even microphone xlr input. They have thought of just
about everything as far as features on this little green machine.
Slicin Out The Tone...
As always, it's time to drop the linen and start the grinnin'! It's
time to see how sharp this Sword really is. For testing purposes,
I'm using a variety of axes. A flame top Les Paul Classic loaded
with O57 Re-issue PU's, an 80's American Standard Strat (stock),
an 80's Butterscotch Tele (stock) and a PRS Custom 22.
Channel I...
My initial test is with a Telecaster. Utilizing Channel I, I opt
for the following settings: Input gain 6, Boost 6, Bass 6, Mid 4,
Treble 8, Reverb 2, Watts 3, Voice switch to "H" (high
gain), Volume on 3. This tone chunks out the crunch. Sweet and warm
with just the right amount of mid cut. Great crunch blues tone.
Rhythm playing is tight and leads cut well with ample sustain. By
increasing the boost, as well as the input gain control, I'm pleasantly
surprised on how raspy this bad boy can get. This is the high gain
setting and the overdrive is tight and punchy. Notes are distinguishable
and the low end stays tight, even at high volume levels. Next we
jump to the "S" setting of the voice switch. This is the
solo mode that incorporates a slight mid notch to accent bass and
treble. This to me is a very cool tone, with more low end than the
previous voice. Next voice position "F". This is a flat
setting. Very Fenderish - The Tele through this voice would pacify
the vintage Fender tone connoisseur. "M" voice is a brighter
voice, which is somewhat reminiscent of a Marshall tone, Sweet.
"V" voice is very bright with plenty of upper mid cut.
Vox fans will love this channel. "L" is the lead channel,
which provides just enough of a boost to the upper mids to ensure
leads will cut through a mix. I also tested this channel with a
Les Paul, and a humbucker made a huge difference in the overdriven
tones. A Les Paul was obviously a fatter enriched tone, but also
made an impact on the crunch level. Another way cool feature of
this amp is the "watts" knob. This is a patented control,
which allows the amp to increase the output power but yet retain
harmonics, sag and ripple modulation. A two-button footswitch controls
the boost control and a treble noise gate. When the noise gate is
engaged it's almost like a mid boost. I prefer the tone when the
noise gate is not engaged, but would be a useful feature to help
leads cut.
Channel II...
Channel II is a fixed boost channel and would represent the clean
channel. This channel has a separate global control panel, including
separate EQ. This my friend is where the Pritchard really shines
in my opinion. Utilizing a stock Strat with a similar EQ setting
as Channel I, the voice switch in the first position "A"
is so, so cool. Airy with plenty of clean headroom, in fact my Strat
chimes out almost acoustic like tones, clean and spankin. Voice
position "B" is a bass boost voice, which is very mellow;
a sweet laid back Jazz tone. If I owned a jazz box this is the voice
I would use. Voice "P" is a precision bass tone, but for
guitars. Cool tone. These three voices are specially voiced for
the clean channel. The remaining "voice" settings on Channel
II are the same as Channel I. The clean channel of this amp is superb,
with an incredible range of tonal options. Fender lovers will really
appreciate the tones that are available with this amp. The Eminence
Legend speakers in a 4x10 open back cabinet are warm and punchy.
I also utilized a PRS Custom 22 with this channel and was equally
satisfied with the tones I was able to achieve.
Above and Beyond...
There are a few features that should be mentioned on this amp that
go above and beyond the call of amplifier duty. First of all, a
cool speaker PJ output jack. There are two speaker outputs on the
rear of this amp, labeled "gig" and "PJ". The
PJ jack is a compensated lower output jack for home practicing or
recording. An XLR microphone input on the rear chassis for portable
PA use or can be utilized for a harmonica. An FX loop with a unique
return jack, which has a ring-tip-sleeve for use with either series
or parallel effects set-ups. Two DI's, and EQ DI, which is a speaker
emulator, and an Amp DI, which can drive an external amplifier.
The Final Word...
The Pritchard "Sword of Satori" Amp will certainly challenge
your old beliefs in solid-statetechnology. Eric
Pritchard's patented XGPA technology is a product of massive research
and just plain smart minds. Thistechnologyis a major break throughin
solid-state technologythat produces fat creation, gain compression
and harmonic generation. All the technological stuff aside, the
Sword of Satori is an incredibly versatile amplifier, capable of
multi voiced tones that you simply do not find on any other amplifier.
From "airy" to "hairy" this amp spanks out the
tone with accuracy and articulation and weighing in at a manageable
42 lbs. If you love Fender 4x10 based amps, you've got to check
out the Pritchard. At a list price of $2,383.75, this amp is a solid
value as well. The Pritchard "Sword of Satori" can slice
you a piece of the tone pie!
Information...
Pritchard Amplification
290 Pritchard Lane
Berkeley Springs, WV 25411
304-258-9113
www.pritchardamps.com
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