|
December / January 2005
|

|
| Compressor Review |
|
by Jeff Scheetz
|
After
a recent gig I had someone come up and tell me that my guitar sounded
great "especially when you step on that pedal with the blue
light". That pedal with the "blue light" he was talking
about is the Robert Keeley compressor.
Unless you have been living under a bridge in an old Ampeg 8x10
box, you have probably heard of Robert Keeley. He is at the forefront
of the "boutique" pedal makers. And while his other pedals
offer outstanding tone (I have his Blues Driver mod and it is fantastic),
the Compressor seems to have hit the ball right out of the park.
I
have used many comps in the past and while they have sufficed to
give me a bit more sustain and dynamics control, there is always
a negative side. They all seem to alter the tone in a way that causes
a bit of "squeezing" in a bad way. Not surprising since
that is a compressor's job, but still not the all good sound quality
we are looking for. Enter the Keeley Compressor.
The Keeley comp is pretty straight forward to use. It has a level
control and a sustain control. I usually hook it up to the power
supply of a VHT valvulator. The sustain control doesn't introduce
very much noise until it is cranked. But at the 12 O'clock setting
it really shines! I have tried it out on a heavy distortion, and
it gave me great singing lead lines. On a mild overdrive it can
give you a really punchy sound that cuts through everything else.
And when I play it through a clean 70's modded twin it makes the
clean notes sound like they are right inside my head! I have experimented
with several amp configurations including using it before my pod.
The results are all the same - it does what I always wanted a compressor
to do, in every amp situation. The notes you play have a clear articulate
sound to them thanks to a fast attack on the compressor. Live, setting
the sustain midway and then setting the level so it is just a bit
louder than my normal signal gives me a great lead boost that not
only gives me a louder level, but a great smooth tone as well.
All of this with no negative artifacts. While it is transparent
sounding, it is also adding something that seems inherently "good"
to my sound. These pedals are all hand wired and when it is the
off position it is true by-pass so it doesn't alter your sound.
Although once you play this pedal you will find the off position
doesn't get used that much!!!
Maybe
no pedal is truly a "magic bullet", but this one may come
as close as any. I have compared it side by side with many other
compressors including rack units that cost 10 times as much, and
I always choose the sound of the Keeley. This is a simple, easy
to use pedal that makes you sound better. Isn't that what we would
all like to have? When someone comes up and says that it "sounds
great" when you kick on the pedal with the blue light, you'll
realize that this pedal may be just what your playing needs.
Jeff Scheetz
For More info: www.robertkeeley.com
|