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The
legendary "Burst Brothers". Musicians Hotline is so excited
to Profile a couple of the industries most knowledgeable guitar
gurus. These guys have literally traveled the world in search of
the ultimate burst. Dave Belzer and Drew Berlin share their thoughts
on the market, guitar shows, and the future of collectible instruments.
MH: Dave, "The Burst Brothers" are a worldwide
phenomenon in the vintage guitar circle. Give us a brief history
of your background, and how you got your start in the business?
DAVE: I got my first electric guitar when I was about 10 years
old and I was definitely influenced by the Beatles, but it was Cream
and Eric Clapton that got me interested in specific guitars. I wanted
whatever Clapton was using. There was something about that tone.
Even when I was young, I was always buying, selling and trading
guitars to get something else that I wanted to play. I played in
bands from junior high through college, when I got my degree in
Musical Performance in 1980. I began teaching guitar at a music
store in Long Island, NY to make a living and playing in all original
bands, including a stretch with Slim Jim Phantom and Lee Rocker,
pre-Stray Cats. In 1983, I purchased the music store that I had
been teaching guitar at, and technically I guess that's what got
me serious about buying and selling. Three weeks after I bought
the store, I traded into my first Burst and that pretty much did
it. In 1988, I sold my store and moved to California because I wanted
to get back into playing and teaching. I quickly learned that it's
hard to make a living playing or teaching in LA, so I started working
for Guitar Center. I became the assistant manager of the Hollywood
store and managed the guitar floor as well. I soon realized that
my passion was for the older instruments, and I kind of took that
over because there wasn't anyone else to do it. I've always felt
that I've been lucky because I've been able to experience so many
great guitars and amps and at the same time, make a living at it.
MH: How and when did the "Burst Brothers" originate,
and the forming of the partnership with Drew Berlin?
DAVE: I first met Drew when he came to work at the Hollywood
Vintage Room in 1995, and our first deal together was helping each
other sell a 1959 Les Paul Standard. He had the customer and I had
the Guitar Center experience to facilitate the deal, and we decided
to become partners at that time. We knew the Vintage Room had great
potential, and by working together we could put the finest inventory
in what we thought was the finest room and build the business.
DREW: My nickname was Burst for many years in both guitar
shows and at gigs. So after we did that guitar and partnered up,
we became known as "The Burst Brothers".
MH: Drew, Tell us a bit about your background and how you
hooked up with Guitar Center's Vintage Shop?
DREW: My mother was a singer/piano player who studied music
in school, and I started playing piano and guitar when I was five.
My sister also played guitar, and my mom, my sister and I would
sing and play together. I saw Elvis in 1956 and knew I wanted to
be like him, so I started playing guitar and singing where I lived
in Union City, TN. I had a deep passion for playing guitar and singing
and continued doing this all through elementary school and junior
high. The Beatles were introduced to America and I took it to the
next level wanting to be like the Beatles. So my musical inspiration
came from Elvis and the Beatles and I started being interested in
different types of guitars.
I continued playing and singing through Junior High and started
working after school at North Miami Music in Miami, FL. I worked
there so that I could pay off guitars I was buying at the time.
I had a band called the New Society Band in Florida, and we started
opening for successful acts like the Grateful Dead, Jeff Beck and
Rod Stewart in the late 60's. We met Little Richard and went on
the road with him. I eventually became his guitar player but my
whole band opened for Richard. After traveling around the United
States for many years and accumulating guitars, I moved to Northern
California where I started a band called Freestone.
At this point I developed certain routes that I would travel with
Pawnshops and music stores, buying guitars. I met Pete Quigley,
who had a vintage guitar shop called Southeast Guitars in Ft. Lauderdale,
and when I moved back to go on the road with Little Richard in 1988,
we partnered up in Pete and Andrew's Guitars. That lasted up until
1993 when Pete returned to Florida. I continued doing guitars by
myself called House Rocker Vintage Guitars. I got known for selling
guitars to musicians in the music industry and known for being able
to find cool guitars. Then in 1995, Guitar Center built a large
vintage room in their Hollywood store on Sunset Boulevard. They
had asked me to come and work for them because I had always sold
to them at vintage guitar shows. And when they told me about the
room, I went to look at it and I was extremely impressed with the
room and they offered me a job and I decided to go to work for them.
MH: Tell us a bit about the unique Hollywood Guitar Center
Vintage Shop retail store, and the clientele you seem to attract?
DAVE: The Vintage Room stage is actually built on what used
to be the Marx Brothers Theater in the 20's and 30's, and when it
was built, a Hollywood set director was brought in to design it
to resemble an old western town. It kind of brings you back to an
era dating back to when these guitars were just beginning to be
manufactured in this country. Then you look at the price tags and
welcome to 2004! The clients that we attract are customers that
are looking for high quality, original vintage pieces that not only
look good, but sound and play good. One reason I think we do well
selling to producers and artists is because we play every piece
we buy. We take into account how a guitar sounds and feels. Occasionally
we'll buy a piece that has some issues, but it will play great and
sound great. We know someone will appreciate the playability and
quality of that sound, and also the dollar value of an instrument
that might be half the price of the same model in mint condition.
MH: Give us your perspective on the current Vintage Market,
and what has been the most noticeable change you have seen transpire
in the market place?
DREW: Well I can tell you the most noticeable thing that I've
seen is that it used to be just guitar players that I would sell
to, and now it's investors and other people that are buying guitars
as a commodity. We've become commodity brokers in the last couple
of years just because guitars have become such commodities. So it's
changed from getting guitars to guitar players to getting guitars
to people in general that want to invest and have an appreciation
for the guitar.
DAVE: The current vintage guitar market is very strong,
not only for very good quality original pieces, but there is also
a strong sub-market for pieces that are not 100%, maybe repaired
or changed parts. The most notable change I've seen is the lack
of availability of high quality desirable pieces and that ranges
from clean original guitars to even a good 50's or 60's refinished
guitar, and also the dollar value increase in all collectable models
in excellent to mint condition. There seems to be an ever-increasing
gap in price between a good original piece and one that's in excellent
to mint condition.
Continued until next month...
Information:
Hollywood Vintage Shop
7425 Sunset Blvd.
Hollywood, CA 90046
323-874-2302
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