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M usicians
Hotline is proud to present a company profile on Reeves
Amplification. "The Great British Legend Lives On". Faithful
reproductions
of Dave Reeves legendary Hiwatt designs. Here is what Bill Jansen
shares
with Musicians Hotline.
MH: Bill, how did you first get involved with the Reeves
Amplification venture?
BJ: I had purchased vintage Marshall amps from Music Ground
in Leeds, U.K. and during the course of several emails and telephone
conversations I came to find out that they manufactured "true"
HIWATT amplifiers for the European market. Fernandes owns the U.S.
trademark rights to HIWATT, hence prohibiting Music Ground from
selling their HIWATT amplifiers in the states. So, being the true
capitalist that I am, I asked HIWATT U.K. to OEM amplifiers for
us to be marketed in the U.S. under the Reeves name.
MH: Reeves amplifiers are true to the original design of
early Hiwatt
models that were initially produced in England. Tell us how the
Reeves
brand has authenticated the early models?
BJ: The amplifiers are very much true to the originals in many
ways. All of the amplifiers are using tag boards and wired point
to point. All of the wiring is laser straight with ninety-degree
bends. Partridge reproduction transformers are used to get that
special chime. And of course, the cosmetics are true to the originals
from the basket weave tolex to the chicken head knobs and engraved
faceplates.
MH: How many models are currently being produced by Reeve's,
and describe
each and how they relate to early models?
BJ: Well, currently we breakdown the lineup into a few different
categories - Classic, which are based off of the original DR-201
(head), DR-103 (head) and DR-504 (head & combo) amplifiers.
The Signature is modeled after the CP-103 (head) designed for Pete
Townshend. All of these models are voiced and built to the same
specs of the originals built back in the '60s and
'70s.
W e
also have newer models that are built to the same standards as our
replicas. The Studio/Stage model is a 40watt, switchable to 20watt,
Class A, EL-84 powered amplifier. What is different about this amp,
besides the lower power, is reverb and a separate gain control.
The Studio/Stage (head or combo) has a very cool vintage Hiwatt
"chimey" tone and if you like you can dial in some gain
and get a nice overdrive tone without loosing your hearing.
MH: Hiwatt was obviously instrumental in helping launch the
British amp invasion. What do you feel are unique about these designs,
and the players who use them?
BJ: The one thing that I keep hearing over and over again are
players telling me how they had a Hiwatt back in the '70s but they
had to sell it or trade it or whatever...and they want that "sound"
back. That "sound" that Dave Reeves put into those original
Hiwatts was so unique that many great British players ...David Gilmour,
Pete Townshend used then and still use today. The players that used
the original amplifiers and/or have used our amps know how responsive
the amplifiers are to touch. And when it is time to move some air...watch
out here comes tons of headroom and pounding bass response.
MH: Original Hiwatt amplifiers are becoming extremely rare.
What do you feel the Reeves line can offer to players on a quest
to find those early models?
BJ: The biggest thing a player will find when he plugs into
one of our amps is that he isn't going to miss anything from the
original. I hear it all of the time, from players at guitar shows
or from new customers, they'll say "Yep, that's how I remember
it". At that point what else can I do but smile and shake my
head in agreement. Besides the tone our amps, like the originals,
are built like tanks and very road worthy.
MH: What improvements do you feel the Reeves line offers
over some of the early Hiwatt models?
BJ: Well, there isn't a whole lot of room for improvement but
a few minor changes were made...better caps, better wiring.
M H:
What do you feel is the future vision of the Reeves line, and
what do you feel has attributed to the success of these amps thus
far?
BJ: The early success of our company has been directly related
to players hearing and using the amps. We are a small fish in a
large pond of amplifier companies, so we are putting our profits
right back into advertising and promotion.
As far as the future goes, we will be introducing one or two low
powered models to address requests we have received. Additionally,
we have been actively putting on quality dealers who understand
what we are doing and can appreciate the product.
Information:
Reeves Amplification, LLC.
4582 Montgomery Rd.
Cincinnati, Ohio 45212
513-451-1071
www.reevesamps.com
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