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In
our continuing series featuring cutting edge guitar companies, Musicians
Hotline is proud to introduce you to Mercurio Guitars of Chanhassen,
MN. The guitar company with the interchangeable pick up system,
and incredible advancements in tone control technology. "Choose
Your Voice" is more then just a marketing buzz, it represents
revolutionary technology. Traditional designs coupled with advanced
electronics is what this newer guitar company is all about. Here
is what marketing manager Brett Petrusek, and company president
Michael Graves shared with Musicians Hotline regarding Mercurio
Guitars...
MH: Mercurio Guitars made its official premiere at the 2004
Summer Namm Show. Give us the lowdown on when and how the company
was formed?
Brett: The company was formed in July 2003 when a very promising
prototype of an instrument that provided pickup interchangeability
was developed. The design still had some issues, but it proved the
viability of the basic design - a high end electric guitar with
highly engineered parts and sophisticated electronics that enabled
any combination of pickups to be used. Peter Mercurio, a studio
player from the Boston area and the owner of the original patent
for the idea, worked with Michael Graves, our CEO and founder, a
guitar collector and enthusiast to set up a company to pursue the
idea. A team was assembled over the course of several months, and
a shop setup in Chanhassen, MN to produce the guitars. Nearly a
hundred prototypes and a year later, we emerged with an instrument
that we were ready to introduce to the world.
MH:
What was the vision for the company and more importantly the
penetration of these unique guitars into the higher end guitar marketplace?
Mike: The marketing slogan we've gotten behind is "Choose
your voice". We think that's a simple way to capture Mercurio's
vision for the instrument. Part of the magic of the electric is
the complexity and diversity it gives the player in terms of musical
expression. As good as the conventional guitar is, though, we'd
found after several years of experimentation that a guitar has a
lot more "voice" potential than it can deliver with just
one set of pickups. Take a standard Strat and put in a set of quality
P90s - you get a completely different instrument.
The tone characteristics change completely. And it's important to
remember that one setup isn't intrinsically better than the other,
they're just different. Sometimes, the glassy clean tones of vintage
single coils is what you want. Other times, the "grit"
and "balls" you get from the P90s is what you're after.
With a traditional guitar, you have to make a choice - which "voice"
for this guitar. We believe that through some quality engineering,
we can let the player choose his/her voice, simply by switching
different pickups in and out. Ultimately, our vision is to realize
that a lot of the missed "tone potential" intrinsic in
every guitar.
As
far as market penetration goes, that's the big question. We've got
the product side ready, and have made good steps in getting the
guitar introduced to boutique dealers, but there's still a large
challenge ahead in getting "mindshare" in this market.
It's a big business, and the capital costs for a straightforward
marketing campaign - lots of print ads, etc.< are enormous. We're
depending heavily on customer and player enthusiasm for the instrument
to help spread the vision. We work on three things: building a quality
dealer channel, getting some important players to endorse and play
the instrument, and starting to build an advertising campaign that
will help build and enforce the brand.
MH:How would you describe the overall "vibe" of
Mercurio Guitars?
Mike: These are high-tech guitars, no doubt about it. But
our goal is not to produce a cool "gadgety" guitar. Quite
the opposite. Mercurios are designed to have the look, feel, balance
and tone of a classic, high end guitar.
While
the electronics at work when you're playing are revolutionary, we
believe there's a feel we've built into the instrument that is positively
"old school". When technology is deployed correctly, it
becomes transparent. With a Mercurio guitar, it should be easy to
forget you're playing a high-tech machine. When you're on stage
or in the studio or in the basement playing, the instrument should
perform like any of your other favorite guitars - or better. Then,
when you want to change the voice of your Mercurio, just pop the
current set of pickups out, pop a new set in and, you've got a new
set of tones to work with. For us, the technology should get out
of the way - the focus is on an exceptional instrument that also
has the nice bonus feature of swapping pickups in and out at will.
MH: The revolutionary "pickup interchange"and "switching
options" to Mercurio Guitars are absolutely trend setting.
Tell us about these options, why they are so unique to your guitars,
and how they were developed?
Mike:
There have been several attempts in the past to do the interchangeable
pickup thing. It's not a new idea. Anyone who's taken the time to
plugin a soldering iron swap pickups in and out of a conventional
guitar has had to have to come to the conclusion that there must
be a simpler way to do this.
The truth of the matter is that the problem is really quite complex.
Just getting the ergonomics solved is hard - making sure everything
fits, connects and interoperates. But even if you solve the mechanical
issues, problems arise from the ability to mix pickups together.
For example, what kind of tone pot should you use if you have a
ceramic humbucker in the bridge position and an underwound single
coil in the neck? The answer is, no single tone pot is going to
give you the best tone from both pickups. So we developed circuitry
that gives each pickup its own tone pot. Once that's solved, other
issues emerge; how do you get active pickups to work well with passive
pickups? What do you do with the ability to split/tap some pickups
but not others? There's just a long list of fairly thorny issues
to work through, that to our knowledge, no one before us has been
determined enough - or crazy enough - to try and solve.
What
we ended up with is a system that allows any pickup to be used with
any other pickup in an optimized way; high output humbuckers sound
good with low output singles, active pickups can be mixed with passives,
etc. And you can access all the features of each pickup - if it
supports coil tapping, you can access it easily. If you want to
switch between series and parallel signal aggregation, you can do
that. You can control the phase polarity of each pickup, so they
can all be in phase with each other, or in any combination of polarities.
All of which presents more power and complexity than even the most
ardent gadget enthusiast would want to deal with on a regular basis.
We're guitar players too, and appreciate the power of simplicity.
More than a couple knobs and a switch on the guitar is pushing it
for a lot of us. So Mercurio guitars are simple to use out the box.
One five way switch, a tone knob, and a volume knob. The switching
works like a standard strat; the rule by default is that all coils
are brought to bear on the signal. It's very straightforward to
easy, and easy to remember.
To
access the sophisticated features of the guitar, all you need to
do pull up on the tone knob. This switches the guitar from "standard"
mode to "custom" mode. In custom mode (with the tone knob
up), the five way switch relies on an array of dipswitches on the
back of the guitar. This array of dipswitches allows complete control
over how the pickup signals are used. For each position in the five
way switch, the player can specify the following settings for each
pickup (neck, middle & bridge):
*Pickup on or off
*In/Out of phase
*Series/parallel wiring
*Coils split/tapped
This allows the player to set up custom mode for five switch settings
that do anything the pickups can do. Position 1 can be the neck
and bridge pickups, out of phase, with the neck pickup in parallel
wiring, and the bridge split, for example. Some players after experimenting
will settle on some exotic combinations. Others will do something
more simple, configuring it so that custom mode does nothing more
that coil tapping.
The bottom line is that there is a lot of power and options for
getting the right tone out of the instrument. It's there if you
want to use it. But out of the case, you can pickup up, strap it
on, plug in and go, and it will be a familiar experience. If you're
happy with staying in standard mode, it's as simple to operate as
any guitar.
MH: Currently, Mercurio Guitars offers six models. Please
describe each, and how these models appeal to so many different
styles of music and players?
Brett: Classic T: Traditional slab
style Tele shape Classic S: Traditional Strat shape
Modern T and S: Tele and Strat Shape with modern contours/forearm
and tummy cuts. Both models are available with figured tops, semi
hollow and chambered construction with a range of "F"
hole options.
Carved S: A modern spin on the other
S Models. The Carved S sports a 5/8 carved top. Available with natural
scraped binding, semi hollow and chambered construction "F"
hole options, and highly figured tops.
GT: Our newest edition. The GT is Mercurio's
first original body style, and it is causing plenty of excitement
(see cover). At first we were cautious about introducing new shapes
along with new technology, we soon realized that we really have
our own thing, and that our own thing warrants an original design.
The GT like the Carved S is more of an elite model available with
all of the same appointments as the Carved S. Ultimately we are
a custom shop. Sure we have some standard popular combinations,
but dealers and players should know that our guitars can be ordered
with a wide range of options. First lets talk about feel and materials.
Neck profile, radius and fret size are all choices that can be made.
A modern player might prefer a 16" radius with jumbo frets,
a vintage guy may lean towards a 9.5" radius with tall and
narrow frets. Choice of tone woods for both bodies and tops are
also options. We offer the standards like Alder Swamp Ash and Mahogany
to more exotic choices like Korina, Cherry, Walnut and Paduk to
name a few.
Visual
esthetics play a big roll as well, a slab style Butterscotch Blonde
T with a 1ply black pickguard or maybe a Metallic Candy Apple Red
or Shoreline Gold S with mintgreen parts are great choices for a
retro/vintage vibe. If rock or metal is your thing how about an
all black guitar hardware and all with EMG 81s.
Mercurio merged with Roxy Guitar Finishing. All of our paint work
is done in house. Roxy does finish work for other fine manufacturers
as well as Mercurio, but we have the added benefit of designing
new finishes with Roxy. For example the Green Dragon, The Bengal
Tiger, and Tangerineburst. Although these finishes are quite progressive.
Roxy is well versed with vintage finishes as well.
Pickup Choice: Mercurio has a wide variety of standard offerings,
Seymour Duncan/Antiquity, Lindy Fralin, EMG, and Suhr. From low
output vintage voices, to ball crushing ceramics the choice is yours,
and hey, you can change 'em in four to six seconds!
MH: Another aspect of Mercurio Guitars is the innovative
"tone control" and "volume leveling circuitry"
built into these guitars. Please elaborate a bit more about this
technology?
Brett: Each pickup module has its own volume leveling control
(trim pots) you can balance the output volume so your neck middle
and bridge pickups work in decibel harmony.
The tone control allows you to adjust the impedance of each pickup,
go from 250K, 500K down to 1 meg with a turn of the trim pot. You
choose the desired brightness of each pick up, think of it as an
answer to changing out potentiometers and capacitors without hours
of work just to see if you like the change.
MH: Are your guitars marketed direct, or through select dealers,
or perhaps both. And what are the future plans to expand the distribution
of Mercurio Guitars?
Brett: Our guitars are being sold through the following select
dealers: Boston Guitar, MusicToyz.com, Garret Park, Junior's Music,
Solidbodyguitar.com, and Keeper's Music. We welcome new dealer inquiries.
Interested dealers should contact our sales manager Heath Berkowitz
at Bostonguitarimports.com. Heath specializes in other unique Products:
BadCat Amplifiers, Jersey Girl Guitars and Pedals, James Trussart
Guitars Van Amps, and Stevenson Guitars
MH: Any special endorsers or new product developments you
would like to talk about?
Brett: Right now we are working with Peter Stroud (Sheryl Crow)
Greg Howe (Solo Artist) JP Cervoni (Solo Artist) and Brad Carlton
of TrueFire.com- more to come of course. Mercurio is working on
Set Neck Models, 2 Pickup Models, new Tremolo design and new body
styles. We are also developing two new models at a lower price point.
MH: In closing Brett, Mercurio Guitars has certainly hit
the ground running with the launch of these unique guitars. What
do you feel is the next step for the company, how you plan to get
there, and what do you feel has contributed to your incredible success?
Brett: We will of course keep expanding our dealer network as
we work with new artists. We will always R&D new concepts, and
find ways to improve our guitars. We believe the guitars are starting
to speak for themselves (as they should) This will develop real
street credibility. We are also getting set for reviews on the new
GTs.
Information:
Mercurio Guitars
7801 Park Drive
Chanhassen, MN 55317
952-474-5854
Email: info@mercurioguitars.com
www.mercurioguitars.com
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