March/April 2005

Mercurio Guitars

by Trent Salter

In our continuing series featuring cutting edge guitar companies, Musicians Hotline is proud to introduce you to Mercurio Guitars of Chanhassen, MN. The guitar company with the interchangeable pick up system, and incredible advancements in tone control technology. "Choose Your Voice" is more then just a marketing buzz, it represents revolutionary technology. Traditional designs coupled with advanced electronics is what this newer guitar company is all about. Here is what marketing manager Brett Petrusek, and company president Michael Graves shared with Musicians Hotline regarding Mercurio Guitars...

MH: Mercurio Guitars made its official premiere at the 2004 Summer Namm Show. Give us the lowdown on when and how the company was formed?

Brett: The company was formed in July 2003 when a very promising prototype of an instrument that provided pickup interchangeability was developed. The design still had some issues, but it proved the viability of the basic design - a high end electric guitar with highly engineered parts and sophisticated electronics that enabled any combination of pickups to be used. Peter Mercurio, a studio player from the Boston area and the owner of the original patent for the idea, worked with Michael Graves, our CEO and founder, a guitar collector and enthusiast to set up a company to pursue the idea. A team was assembled over the course of several months, and a shop setup in Chanhassen, MN to produce the guitars. Nearly a hundred prototypes and a year later, we emerged with an instrument that we were ready to introduce to the world.

MH: What was the vision for the company and more importantly the penetration of these unique guitars into the higher end guitar marketplace?

Mike:
The marketing slogan we've gotten behind is "Choose your voice". We think that's a simple way to capture Mercurio's vision for the instrument. Part of the magic of the electric is the complexity and diversity it gives the player in terms of musical expression. As good as the conventional guitar is, though, we'd found after several years of experimentation that a guitar has a lot more "voice" potential than it can deliver with just one set of pickups. Take a standard Strat and put in a set of quality P90s - you get a completely different instrument.

The tone characteristics change completely. And it's important to remember that one setup isn't intrinsically better than the other, they're just different. Sometimes, the glassy clean tones of vintage single coils is what you want. Other times, the "grit" and "balls" you get from the P90s is what you're after. With a traditional guitar, you have to make a choice - which "voice" for this guitar. We believe that through some quality engineering, we can let the player choose his/her voice, simply by switching different pickups in and out. Ultimately, our vision is to realize that a lot of the missed "tone potential" intrinsic in every guitar.

As far as market penetration goes, that's the big question. We've got the product side ready, and have made good steps in getting the guitar introduced to boutique dealers, but there's still a large challenge ahead in getting "mindshare" in this market. It's a big business, and the capital costs for a straightforward marketing campaign - lots of print ads, etc.< are enormous. We're depending heavily on customer and player enthusiasm for the instrument to help spread the vision. We work on three things: building a quality dealer channel, getting some important players to endorse and play the instrument, and starting to build an advertising campaign that will help build and enforce the brand.

MH:How would you describe the overall "vibe" of Mercurio Guitars?

Mike: These are high-tech guitars, no doubt about it. But our goal is not to produce a cool "gadgety" guitar. Quite the opposite. Mercurios are designed to have the look, feel, balance and tone of a classic, high end guitar.

While the electronics at work when you're playing are revolutionary, we believe there's a feel we've built into the instrument that is positively "old school". When technology is deployed correctly, it becomes transparent. With a Mercurio guitar, it should be easy to forget you're playing a high-tech machine. When you're on stage or in the studio or in the basement playing, the instrument should perform like any of your other favorite guitars - or better. Then, when you want to change the voice of your Mercurio, just pop the current set of pickups out, pop a new set in and, you've got a new set of tones to work with. For us, the technology should get out of the way - the focus is on an exceptional instrument that also has the nice bonus feature of swapping pickups in and out at will.

MH: The revolutionary "pickup interchange"and "switching options" to Mercurio Guitars are absolutely trend setting. Tell us about these options, why they are so unique to your guitars, and how they were developed?

Mike:
There have been several attempts in the past to do the interchangeable pickup thing. It's not a new idea. Anyone who's taken the time to plugin a soldering iron swap pickups in and out of a conventional guitar has had to have to come to the conclusion that there must be a simpler way to do this.

The truth of the matter is that the problem is really quite complex. Just getting the ergonomics solved is hard - making sure everything fits, connects and interoperates. But even if you solve the mechanical issues, problems arise from the ability to mix pickups together. For example, what kind of tone pot should you use if you have a ceramic humbucker in the bridge position and an underwound single coil in the neck? The answer is, no single tone pot is going to give you the best tone from both pickups. So we developed circuitry that gives each pickup its own tone pot. Once that's solved, other issues emerge; how do you get active pickups to work well with passive pickups? What do you do with the ability to split/tap some pickups but not others? There's just a long list of fairly thorny issues to work through, that to our knowledge, no one before us has been determined enough - or crazy enough - to try and solve.

What we ended up with is a system that allows any pickup to be used with any other pickup in an optimized way; high output humbuckers sound good with low output singles, active pickups can be mixed with passives, etc. And you can access all the features of each pickup - if it supports coil tapping, you can access it easily. If you want to switch between series and parallel signal aggregation, you can do that. You can control the phase polarity of each pickup, so they can all be in phase with each other, or in any combination of polarities. All of which presents more power and complexity than even the most ardent gadget enthusiast would want to deal with on a regular basis. We're guitar players too, and appreciate the power of simplicity. More than a couple knobs and a switch on the guitar is pushing it for a lot of us. So Mercurio guitars are simple to use out the box. One five way switch, a tone knob, and a volume knob. The switching works like a standard strat; the rule by default is that all coils are brought to bear on the signal. It's very straightforward to easy, and easy to remember.

To access the sophisticated features of the guitar, all you need to do pull up on the tone knob. This switches the guitar from "standard" mode to "custom" mode. In custom mode (with the tone knob up), the five way switch relies on an array of dipswitches on the back of the guitar. This array of dipswitches allows complete control over how the pickup signals are used. For each position in the five way switch, the player can specify the following settings for each pickup (neck, middle & bridge):

*Pickup on or off
*In/Out of phase
*Series/parallel wiring
*Coils split/tapped

This allows the player to set up custom mode for five switch settings that do anything the pickups can do. Position 1 can be the neck and bridge pickups, out of phase, with the neck pickup in parallel wiring, and the bridge split, for example. Some players after experimenting will settle on some exotic combinations. Others will do something more simple, configuring it so that custom mode does nothing more that coil tapping.

The bottom line is that there is a lot of power and options for getting the right tone out of the instrument. It's there if you want to use it. But out of the case, you can pickup up, strap it on, plug in and go, and it will be a familiar experience. If you're happy with staying in standard mode, it's as simple to operate as any guitar.

MH: Currently, Mercurio Guitars offers six models. Please describe each, and how these models appeal to so many different styles of music and players?

Brett:
Classic T: Traditional slab style Tele shape Classic S: Traditional Strat shape

Modern T and S:
Tele and Strat Shape with modern contours/forearm and tummy cuts. Both models are available with figured tops, semi hollow and chambered construction with a range of "F" hole options.

Carved S: A modern spin on the other S Models. The Carved S sports a 5/8 carved top. Available with natural scraped binding, semi hollow and chambered construction "F" hole options, and highly figured tops.

GT: Our newest edition. The GT is Mercurio's first original body style, and it is causing plenty of excitement (see cover). At first we were cautious about introducing new shapes along with new technology, we soon realized that we really have our own thing, and that our own thing warrants an original design. The GT like the Carved S is more of an elite model available with all of the same appointments as the Carved S. Ultimately we are a custom shop. Sure we have some standard popular combinations, but dealers and players should know that our guitars can be ordered with a wide range of options. First lets talk about feel and materials. Neck profile, radius and fret size are all choices that can be made. A modern player might prefer a 16" radius with jumbo frets, a vintage guy may lean towards a 9.5" radius with tall and narrow frets. Choice of tone woods for both bodies and tops are also options. We offer the standards like Alder Swamp Ash and Mahogany to more exotic choices like Korina, Cherry, Walnut and Paduk to name a few.

Visual esthetics play a big roll as well, a slab style Butterscotch Blonde T with a 1ply black pickguard or maybe a Metallic Candy Apple Red or Shoreline Gold S with mintgreen parts are great choices for a retro/vintage vibe. If rock or metal is your thing how about an all black guitar hardware and all with EMG 81s.

Mercurio merged with Roxy Guitar Finishing. All of our paint work is done in house. Roxy does finish work for other fine manufacturers as well as Mercurio, but we have the added benefit of designing new finishes with Roxy. For example the Green Dragon, The Bengal Tiger, and Tangerineburst. Although these finishes are quite progressive. Roxy is well versed with vintage finishes as well.

Pickup Choice: Mercurio has a wide variety of standard offerings, Seymour Duncan/Antiquity, Lindy Fralin, EMG, and Suhr. From low output vintage voices, to ball crushing ceramics the choice is yours, and hey, you can change 'em in four to six seconds!

MH: Another aspect of Mercurio Guitars is the innovative "tone control" and "volume leveling circuitry" built into these guitars. Please elaborate a bit more about this technology?

Brett:
Each pickup module has its own volume leveling control (trim pots) you can balance the output volume so your neck middle and bridge pickups work in decibel harmony.

The tone control allows you to adjust the impedance of each pickup, go from 250K, 500K down to 1 meg with a turn of the trim pot. You choose the desired brightness of each pick up, think of it as an answer to changing out potentiometers and capacitors without hours of work just to see if you like the change.

MH: Are your guitars marketed direct, or through select dealers, or perhaps both. And what are the future plans to expand the distribution of Mercurio Guitars?

Brett:
Our guitars are being sold through the following select dealers: Boston Guitar, MusicToyz.com, Garret Park, Junior's Music, Solidbodyguitar.com, and Keeper's Music. We welcome new dealer inquiries. Interested dealers should contact our sales manager Heath Berkowitz at Bostonguitarimports.com. Heath specializes in other unique Products: BadCat Amplifiers, Jersey Girl Guitars and Pedals, James Trussart Guitars Van Amps, and Stevenson Guitars

MH: Any special endorsers or new product developments you would like to talk about?

Brett:
Right now we are working with Peter Stroud (Sheryl Crow) Greg Howe (Solo Artist) JP Cervoni (Solo Artist) and Brad Carlton of TrueFire.com- more to come of course. Mercurio is working on Set Neck Models, 2 Pickup Models, new Tremolo design and new body styles. We are also developing two new models at a lower price point.

MH: In closing Brett, Mercurio Guitars has certainly hit the ground running with the launch of these unique guitars. What do you feel is the next step for the company, how you plan to get there, and what do you feel has contributed to your incredible success?

Brett:
We will of course keep expanding our dealer network as we work with new artists. We will always R&D new concepts, and find ways to improve our guitars. We believe the guitars are starting to speak for themselves (as they should) This will develop real street credibility. We are also getting set for reviews on the new GTs.

Information:
Mercurio Guitars
7801 Park Drive
Chanhassen, MN 55317
952-474-5854
Email: info@mercurioguitars.com
www.mercurioguitars.com

 


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